So, we’ll show you how to establish the key your melody might be in, how to generate a palette of chords that work with it, then create an example progression using those chords.įrom there, you can vary the sounds you use and change up the rhythm and voicing of the chords to suit your own tastes. One perennial issue for songwriters is what to do when they’ve come up with a melody line and need a chord progression to fit it. The basic rule when improvising over a chord progression is to start with the parent scale (in this case E flat Major), then analyze the chord structure to determine what alterations the chords make on the scale. The chord progressions used in most pop songs are relatively simple, mostly consisting of a cycle of between two and four chords that are diatonic to the song’s key.ĭiatonic means that the chords are made up of notes in the parent scale of the key - so if a song is in the key of E major, say, then the majority of the notes in the melody will be found in the E major scale, and the notes that make up the supporting chords - bar one or two exotic exceptions maybe - will be taken from the E major scale too.
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